2019: Roll Two

Somewhere between Iksan and Seoul. January 2019.

It isn’t often I get through two rolls of film in a couple of weeks. Normally I shoot about two rolls a month.

Why am I shooting so much?

It’s complicated.

Iksan, South Korea. January 2019.

I guess the first reason is travel. I shoot a lot when I am going somewhere. I shoot photos in the same time that people read books or listen to music. I take photos to not be bored.

Iksan, South Korea. January 2019.

I end up with lots of boring photos like this. That said, I think the main reason I shot a lot in the last two weeks was the excitement for being back shooting film. I’d used the M10P for a while and hadn’t shot any film.

Somewhere between Iksan and Seoul, January 2019.

Lots of these photos too. They don’t always turn out well. Rarely do they in fact. That said, some of my favourite photos were taken through the window of a train or bus.

A long time ago in Canada I had my favourite lens stolen. Honestly, I change lenses a lot. People will say I have never stuck to anything. I used the 40mm Summicron exclusively for 4 years. I couldn’t afford anything else but I loves that lens. I recently got the chance to get another. I love this lens. Feels like coming home.

Somewhere between Iksan and Seoul, January 2019.

All the photos here are Ilford HP5 at 3200.

This is a boring roll, I apologize. They aren’t always interesting.

I do really love the next photo though:

Somewhere between Iksan and Seoul, January 2019. Ilford HP5 @ 3200.

This was early in the morning. The air quality has been terrible lately, so much so that it looks like fog. The field had just been plowed. One of my favourite photos in a long time. It was very much how I’d imagined it would be.

Iksan, South Korea. January 2019.

I’ve been doing this a lot lately too. Cat photos are boring as well I guess. I love my cats though. I think I would be perfectly happy for a roll to consist only of photos of them. In this photo, Spoko is sitting in her favourite spot in our living room under a Nicholas Dominic Talvola print. He named her, so it is fitting that she loves this spot.

Seoul, South Korea. January 2019.

Maybe the next roll will be more exciting. I have several trips planned in the next little while. Including one to Kyoto / Osaka. Looking forward to that.

Seoul, South Korea. January 2019.

That trip will be with team Leica Korea, haha. More on that in the weeks to come 😉

Iksan, South Korea. January 2019.
Seoul, South Korea. January 2019.

Other than that, I’m happy to say if you’re in Korea soon I’ll be opening an analogue photography class at the Leica Akadamie here. During the class I’ll cover all sorts of film related topics from the basics of loading film to developing and even perhaps some printing.

Seoul, South Korea. January 2019.

I just realized half of this roll is photos of trees.

Iksan, South Korea. January 2019.

No trees here. Sucks this photo. They were all looking at me a split second before. I was super bummed when I saw it.

Iksan, South Korea. January 2019. Ilford HP5 @3200.

This was second last photo of the roll. It is boring but I quite like it. Iksan feels like this to me. It feels like Iksan.

Iksan, South Korea. January 2019.

The last photo. It is usually of my wife or one of the cats. Wife wasn’t in the mood so Spoko stepped up.

That’s all for today.

Catch you next time 😉

-Josh.

4 thoughts on “2019: Roll Two

  1. What do you mean by boring? Boring for who? How do you know it is boring? Actually I do not find them boring, but that is not important. I like the one with the train and the people looking away!

  2. I wouldn’t say boring at all, man. I mean i really dig the landscape photos. It’s got a feel to them collectively. Obviously it is winter but it gives me a feeling of meandering and looking for something(?) that or something around the lines of bhumming around and you know that moment when you’re just walking and spot something mundane but feel something in it that puts you into a trance like a budhist monk would dig that view and meditate there. I don’t know if that’s how you feel about them but that’s what I feel.

  3. What an exciting flurry of posts you’re going through, Josh. And so many hits out of 36 stream-of-consciousness frames…
    Train-based photography is so hit and miss, and that’s what makes it magic. Even more so when you’re using film and constrain yourself to only so many shutter releases. But my favs remain the streetscapes, plus that mysterious room inhabited by the plant and nothing else….
    Your processing yields a velvety look that is such a pleasant change from the over-contrasted, over-“clarity”-ed look of so many people out there these days (I like to think that I don’t go overboard with mine, but I’m probably guilty as charged, too). It’s interesting how push-processing in the darkroom gives the same look as pulling the clarity sliders in the… lightroom!

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